One of my dear local friends just published a novel called The March North. I haven't read the published version yet but I read the rough draft (and the draft of the book that comes after it) and feel I can safely say that it is an excellent story.

Author's description reads "Egalitarian heroic fantasy. Presumptive female agency, battle-sheep, and bad, bad odds." If that's not enough to pique your interest, I will expand: The March North and the Commonweal series it launches take epic fantasy tropes, set them on fire, and juggle them, all while walking on a tightrope slung between whimsy and a solidly material and pragmatic sort of realism, and whistling. This first book in particular is designed as a trap to lure fans of more traditional military SFF into caring about the characters and the world, but those aspects (character- and world-building) are present and engaging enough that readers who don't care much for or about military anything have just as much to latch onto (the second book will have even more of this, plus experiments in magical pedagogy).
Rather than your too-typical medieval Europe-but-with-dragons high fantasy setting, the Commonweal series posits the emergence of a radically egalitarian society in a world where powerful sorcerers have been fighting and screwing around with their environments for hundreds of thousands of years, destroying and enslaving and weaponizing and reshaping landscapes and lifeforms with all the creativity you'd expect from millenia of batshit/lonely/paranoid wizards; a culture that values consent and agency above all else and has discovered that magic worked cooperatively is stronger than the sum of its parts, and needs every tool at its disposal to scratch out a habitable territory between all the "weeds" (weaponized organisms) and expansionist totalitarian regimes and nameless horrors from beyond your worst nightmare. The March North chronicles the efforts of a regional battalion of the Line (the Commonweal's version of an army) to deal with one such threat, and the beginnings of what happens after.
IMHO the series has all the makings of an excellent Yuletide fandom. The writing is memorable, witty, and detail-rich, and the cast of characters is exceptionally diverse, with folks of vastly different histories, gender expressions, ages, species, sexualities, and magical aptitudes all treated with fondness and respect (my favourite character is obviously Halt--the extremely powerful and incredibly ancient sorcerer who has reigned as dark lord over a substantial territory for a thousand years at least once and who gives demons the justified heebiejeebies, but who looks to most eyes like somebody's sweet little grandmother, riding around on the back of a giant sheep named Eustace with knitting bag and tea service perpetually at the ready--but pretty much everybody with a name is delightful). It's a bit like Welcome to Night Vale, actually, insofar as it is concerned with a diverse community working together to survive a weird and horrific milieu that from their perspective is entirely normal. The librarians are less likely to slaughter you.
Plus the e-book is staggeringly cheap so, y'know. The odds of you regretting buying it are slimmer than those for the success of the West Wetcreek Wapentake.
Author's description reads "Egalitarian heroic fantasy. Presumptive female agency, battle-sheep, and bad, bad odds." If that's not enough to pique your interest, I will expand: The March North and the Commonweal series it launches take epic fantasy tropes, set them on fire, and juggle them, all while walking on a tightrope slung between whimsy and a solidly material and pragmatic sort of realism, and whistling. This first book in particular is designed as a trap to lure fans of more traditional military SFF into caring about the characters and the world, but those aspects (character- and world-building) are present and engaging enough that readers who don't care much for or about military anything have just as much to latch onto (the second book will have even more of this, plus experiments in magical pedagogy).
Rather than your too-typical medieval Europe-but-with-dragons high fantasy setting, the Commonweal series posits the emergence of a radically egalitarian society in a world where powerful sorcerers have been fighting and screwing around with their environments for hundreds of thousands of years, destroying and enslaving and weaponizing and reshaping landscapes and lifeforms with all the creativity you'd expect from millenia of batshit/lonely/paranoid wizards; a culture that values consent and agency above all else and has discovered that magic worked cooperatively is stronger than the sum of its parts, and needs every tool at its disposal to scratch out a habitable territory between all the "weeds" (weaponized organisms) and expansionist totalitarian regimes and nameless horrors from beyond your worst nightmare. The March North chronicles the efforts of a regional battalion of the Line (the Commonweal's version of an army) to deal with one such threat, and the beginnings of what happens after.
IMHO the series has all the makings of an excellent Yuletide fandom. The writing is memorable, witty, and detail-rich, and the cast of characters is exceptionally diverse, with folks of vastly different histories, gender expressions, ages, species, sexualities, and magical aptitudes all treated with fondness and respect (my favourite character is obviously Halt--the extremely powerful and incredibly ancient sorcerer who has reigned as dark lord over a substantial territory for a thousand years at least once and who gives demons the justified heebiejeebies, but who looks to most eyes like somebody's sweet little grandmother, riding around on the back of a giant sheep named Eustace with knitting bag and tea service perpetually at the ready--but pretty much everybody with a name is delightful). It's a bit like Welcome to Night Vale, actually, insofar as it is concerned with a diverse community working together to survive a weird and horrific milieu that from their perspective is entirely normal. The librarians are less likely to slaughter you.
Plus the e-book is staggeringly cheap so, y'know. The odds of you regretting buying it are slimmer than those for the success of the West Wetcreek Wapentake.